lief in music - t does not make a man sing or play tter; and P-up feeling at t, as complex as any trio or quartet t  to express love and jealousy and resignation and fierce suspicion all at time.

    `O yes, ing  t is a  ones imperfect life and being t once - to sing and make to sing and paint.

    `Aep  administrative capacity, I believe. A tendency to predominance of tive po, Miss tulliver?

    Stepake into  of playful appeal to Maggie, and s repress the answering flash and epigram.

    `I endency to predominance, s t moment devoutly  sendency disagreeable.

    `Come, come, said Lucy, `music, music! e ime.

    Maggie alried in vain to go on ried oday, for t t Step no longer roused a merely playful resistance, and soo t it o stand so t   it ions  in tate of emotion produced by t - emotion t seemed to make  once strong and rong for all enjoyment, ance. rain passed into tarted from   ciful  perceptible quivering ttle foready ed and brigo t s. Lucy, imes  t resist to steal up to oo caug t rong an influence.

    `More, more! said Lucy, w ed again: Maggie always says s rush of sound.

    `It must be quot;Let us take t; tepable for a  morning. But are you prepared to abandon t sacred duties of life, th us?

    `O yes, said Lucy, laug t;Beggars Operaquot; from terbury. It has a dingy cover.

    `t is a great clue, considering t a score covers ep terbury.

    `O, play someticing t  is t youre falling into? - somet I dont know.

    `Dont you kno? s